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SSL ORIGIN 32 vs API 2448: Why I Switched Consoles
The SSL ORIGIN 32 was the more sensible purchase on paper. It gave me more channels, more buses and EQ on every channel for less…
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How Much Is Too Much?
When does acquiring more studio equipment, plug-ins, and instruments stop helping us create and start getting in the way?
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Studio Monitors: Does Any of This Make Sense?
From $300 cubes to $300,000 monitoring systems, why can great engineers make great mixes on almost any speakers?
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Beware the Word “Professional”
If your audio equipment has to tell you it's professional, perhaps it isn't.
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Matthias Jabs from The Scorpions – Exclusive Interview from Musikmesse
Matthias Jabs does NOT use an iPod… (click for Facebook video link) by Richard Alan Salz One of the great […]
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Waves ILLUGEN 2.5 Moves AI Sample Creation Into the DAW
ILLUGEN 2.5 becomes a DAW plug-in with tempo synchronization, key-aware auditioning and…
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Steinberg Cubase 16 Adds Instrument Stacks and Spectral AudioWarp
Cubase 16 combines new layered instrument workflows, spectral audio manipulation, improved tempo…
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Sontronics Adds SOLO W2 Capsule for Sennheiser Wireless Handhelds
The new supercardioid dynamic capsule extends Sontronics' SOLO wireless range to compatible…
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Universal Audio Releases Capitol Studios Room-Modeling Plug-In
Universal Audio's new native plug-in models Capitol Studios A and B, microphone…
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LEWITT LW6 Brings Uncompressed Wireless Monitoring to Studio Headphones
The closed-back headphones use a dedicated RealSound transmitter, with a stated 5.8…
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Softube Limit Pro and Limit Go Add Two Approaches to Limiting
The October release combines detailed peak-suppression and metering controls with a simpler…
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Roland Adds JUPITER-08 and n/vision to the Boutique Synthesizer Range
The October additions pair a Jupiter-inspired instrument with a new two-layer wavetable…
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Arturia AudioFuse Studio Rev2 Updates Preamps and Bluetooth
The desktop USB-C interface retains extensive studio routing while revising its four…
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Focusrite and Klevgrand Introduce Altitude Harmony Vocal Plug-In
The simplified vocal processor combines upper and lower harmonies, pitch correction and…
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PSI Audio AVAA C225 Extends Active Bass Trapping to Higher-SPL Rooms
The dual-driver active absorber targets home cinemas, small clubs and studios, with…
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Pro Tools 2026.11 Adds Local Stem Separation, Extensions and MPE
Avid’s November release adds six-part stem extraction, session-wide Extensions and native Windows…
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BOSS Katana-25 Combines a 25-Watt Amp, USB Recording and Bluetooth
The compact eight-inch combo adds a half-watt mode, five simultaneous effects and…
From the Archive
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2025
Manley Stereo Pultec EQ Review: A Two-Bus Favorite
Manley’s Stereo Pultec combines the broad musical curves of the classic Pultec concept with excellent construction and a tube signal path that…
2025
PreSonus StudioLive Series III SE32
Hybrid consoles claim to bridge the gap between studio precision and live practicality, few actually deliver. The PreSonus StudioLive SE32 […]
2025
dbx 160SL Review: The Ultimate dbx Compressor?
The dbx 160SL is a massively built, extraordinarily flexible flagship VCA compressor that can still do the classic 160 thing perfectly—if you…
2025
Klark Teknik 3rd Dimension BBD-320 Review: The Dimension Effect Returns
Klark Teknik’s BBD-320 brings the classic Dimension-style widening effect back to a hardware rack at a fraction of vintage prices. It is…
2025
Fender Studio Application and Link I/O Interface
Fender Studio App: A User-Friendly Recording Platform Fender Studio is a free, cross-platform digital audio workstation (DAW) available on iOS, […]
2025
Palmer PAN 08 Review: Four Channels of Active, Transformer-Isolated DI
The Palmer PAN 08 combines four active DI channels, transformer-balanced outputs, switchable gain and rugged German construction in a compact 1U rack…
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