The Audio Magazine https://validator.w3.org/feed/docs/rss2.html Neumann KM184 Review: Buy Once, Cry Once, and Record for a Lifetime Beyerdynamic M88 TG Review: Vocals, Guitar, Bass and a Kick Drum Warning Radial JDI Review: Buy Once, Cry Once Mackie 8-Bus: A Jagged Little Console Sytek MPX-4A Review: A Neotek in a Box Aphex Aural Exciter 104 Type C2 Review: Big Bottom, Bigger Mistakes SPL SX2 Stereo Vitalizer Review: When More Is Too Much dbx 120XP Subharmonic Synthesizer Review: Bringing Back the Bottom End EMG KH20 Pickguard Review: Metallica Isn’t My Thing, but These Pickups Certainly Are ADAM Audio Studio Monitors Review: Not for Me TL Audio C1 Compressor Review: Tubes, Hype, and Not Much Else Peavey VMP-2 Review: The Tube Preamp Nobody Wanted to Admit Was Good Publison Infernal Machine 90 Review: The Most Insane Effects Processor Ever Made? dbx 163X Review: The One-Slider Compressor That Still Makes Me Happy TRUE Systems Precision 8 Review: Eight Channels of Transparent Preamplification Ibanez HD1000 Harmonic Delay Review: The Poor Man’s Eventide Accutronics AccuVerb Review: The Unusual Tube Spring Reverb Neotek Series III C Review: Sound, Reliability & Buying Advice Audix D6 Review: The Kick Drum Microphone That Changed Everything A Tale of Two Equiteks: CAD E200 vs E300S Microphone Review AKG K240 Studio Review: A Pale Shadow of a Studio Classic Audix D2 Review: More Than Just a Rack Tom Microphone Audix D4 Review: The D6’s Little Brother The Definitive Shure SM57 Review AKG C12 VR Review: The Worst Expensive Microphone I’ve Ever (Briefly) Owned Audix i5 Review: A Good Microphone I Don’t Really Need DW Moon Mic Review: The Ultimate Kick Drum Sub-Bass Microphone Audio-Technica ATH-M50x Review: The Modern Studio Workhorse Audio-Technica ATM25 Review: Maybe I Should Give It Another Chance Audio-Technica AT4050 Review: A Dependable Workhorse, but Not My First Choice Audio-Technica AT4047/SV Review: A Sleeper That Deserves More Attention Audio-Technica AT4060 Review: The Tube Microphone That Doesn’t Sound Like One Audio-Technica AT4033a Review: My First Condenser Microphone, for Better or Worse Audio-Technica AT4051b Review: A Microphone I Never Get Tired of Using The Truth About Expensive Audio Cables: What Matters and What Doesn’t How to Bake Reel-to-Reel Tape: Recovering Recordings from Sticky-Shed Syndrome How Loud Is Too Loud? Hearing Protection in the Studio and at Live Shows How to Test Audio Cables with a Multimeter Choosing a Drum Throne: Round vs Motorcycle Seats, Backrests, Roc-N-Soc and SoundSeat Studio Cable and Wire Selection: Capacitance, Shielding, Multiconductor Snakes and Plenum Ratings Musikmesse 2012 Violet Amethyst Classic Review SSL ORIGIN 32 vs API 2448: Why I Switched Consoles Proper Soldering Techniques for Audio Cables and Connectors The Best Studio Chairs: Aeron, Steelcase, Knoll, Budget Alternatives—and the Used Aeron Trap Blue Cat’s Free Amp Oxo Synth2 Sonuscore The Score Elements AutoFactory Audio Meter Core Puremagnetik Studies (Free Collection)