The Audio Magazine https://validator.w3.org/feed/docs/rss2.html Fender Opens Limited Run for Mark Hoppus “Stoned Fruit” Jaguar Bass Audix Adds NCR2 and NCR4 Multichannel Receivers to Novacore Wireless System Fender Studio Pro 8.2 Adds Trim Automation, Expanded Stem Separation and MIDI 2.0 Audio-Technica Introduces ATH-AWX7000 Flagship Closed-Back Headphones All Articles The “No Interest” Trap: What Store Cards and Promotional Financing Really Cost Buying Used Music Gear in 2026? Return Policies Compared: Guitar Center, Reverb, eBay, Sweetwater and More How Not to Get Ripped Off Online: A Practical Guide to Internet Scams How Loud Is Too Loud? Hearing Protection in the Studio and at Live Shows ZL Equalizer 2 ZL Spectrum Equalizer Pigments Play Helix Stadium Native Intro SORYNO METER OffFizzer Levelproof EQ TELLYSCOPE Echolite RichChords Tight Lines RSL Foresight How to Troubleshoot Hum, Hiss, Buzz and Studio Noise Understanding Microphone Polar Patterns and Why They Matter How to Measure Your Studio with Room EQ Wizard Understanding Balanced and Unbalanced Audio Connections How to Set Up and Calibrate Studio Monitors How to Set Up a Studio Patchbay How to Use Compression Without Ruining a Recording Understanding Room Modes and Standing Waves How to Clean and Maintain Analog Tape Machines Understanding Audio Phase and Polarity Understanding Sample Rate, Bit Depth and Dither How to Diagnose Scratchy Pots and Intermittent Switches Proper Soldering Techniques for Audio Cables and Connectors Proper Gain Staging: From Microphone to Master Bus Ground Loops, Hum and Safe Studio Grounding Resilient Channel for Sound Isolation: Installation and Common Failures Why Acoustic Foam Is Often the Wrong Choice for Studio Treatment How to Use a Spectrum Analyzer in the Recording Studio Why You Should Consider Building Your Own Audio Cables How to Align and Calibrate an Analog Tape Machine Stereo Microphone Techniques: XY, ORTF, NOS, AB and Mid-Side How to Test Audio Cables with a Multimeter Explore The Audio Magazine: Reviews, Free Software, Studio Tools and More Klark Teknik 3rd Dimension BBD-320 Review: The Dimension Effect Returns Velleman VTTEST15 Review: Every Studio Should Own a Cable Tester Palmer PRMLS Review: A Proper Way to Split Monitor Outputs Palmer PAN 08 Review: Four Channels of Active, Transformer-Isolated DI Daking Mic Pre One Review: A Great Preamp That Travels The Worst Mixing Console I Ever Owned