The Audio Magazine https://validator.w3.org/feed/docs/rss2.html About The Audio Magazine Richard Alan Salz Kick Drum Recording Techniques Meet TAMultitrack: An Eight-Track Recorder in Your Browser TAMultitrack User Guide Sound Anchors ADJ2 Review: The $1,600 Speaker Stands That Make No Noise Chibsons, Counterfeit Guitars, and the Pointlessness of a Fake Logo Neumann KMS 105 Review: The Best Handheld Vocal Condenser I’ve Heard Audio-Technica ATM25 Review: Maybe I Should Give It Another Chance sE Electronics Cardioid Condenser Microphones: They’ve Come a Long Way Neumann TLM 103: The Gateway Drug to Neumann M-VAVE FM-1: The Pocket Synth That Became a Collection of Instruments Play the M-VAVE FM-1 Without Buying One: Phone, Browser and DAW Emulators Beyerdynamic M88 TG Review: Vocals, Guitar, Bass and a Kick Drum Warning Audix i5 Review: A Good Microphone I Don’t Really Need Audix D2 Review: More Than Just a Rack Tom Microphone Audix D4 Review: The D6’s Little Brother Audix D6 Review: The Kick Drum Microphone That Changed Everything The Definitive Shure SM57 Review DW Moon Mic Review: The Ultimate Kick Drum Sub-Bass Microphone Audio-Technica ATH-M50x Review: The Modern Studio Workhorse Audio-Technica AT4050 Review: A Dependable Workhorse, but Not My First Choice Audio-Technica AT4047/SV Review: A Sleeper That Deserves More Attention Audio-Technica AT4051b Review: A Microphone I Never Get Tired of Using Audio-Technica AT4033a Review: My First Condenser Microphone, for Better or Worse Audio-Technica AT4060 Review: The Tube Microphone That Doesn’t Sound Like One A Tale of Two Equiteks: CAD E200 vs E300S Microphone Review EMG KH20 Pickguard Review: Metallica Isn’t My Thing, but These Pickups Certainly Are AKG D12E Review: The Granddaddy of Kick Drum Microphones Neumann KM184 Review: Buy Once, Cry Once, and Record for a Lifetime Radial JDI Review: Buy Once, Cry Once Mackie 8-Bus: A Jagged Little Console Sytek MPX-4A Review: A Neotek in a Box dbx 120XP Subharmonic Synthesizer Review: Bringing Back the Bottom End ADAM Audio Studio Monitors Review: Not for Me TL Audio C1 Compressor Review: Tubes, Hype, and Not Much Else Peavey VMP-2 Review: The Tube Preamp Nobody Wanted to Admit Was Good Publison Infernal Machine 90 Review: The Most Insane Effects Processor Ever Made? Aphex Aural Exciter 104 Type C2 Review: Big Bottom, Bigger Mistakes SPL SX2 Stereo Vitalizer Review: When More Is Too Much dbx 163X Review: The One-Slider Compressor That Still Makes Me Happy TRUE Systems Precision 8 Review: Eight Channels of Transparent Preamplification Ibanez HD1000 Harmonic Delay Review: The Poor Man’s Eventide Accutronics AccuVerb Review: The Unusual Tube Spring Reverb Neotek Series III C Review: Sound, Reliability & Buying Advice AKG K240 Studio Review: A Pale Shadow of a Studio Classic AKG C12 VR Review: The Worst Expensive Microphone I’ve Ever (Briefly) Owned The Truth About Expensive Audio Cables: What Matters and What Doesn’t How to Bake Reel-to-Reel Tape: Recovering Recordings from Sticky-Shed Syndrome How Loud Is Too Loud? Hearing Protection in the Studio and at Live Shows