{"id":604,"date":"2018-10-03T22:11:59","date_gmt":"2018-10-04T03:11:59","guid":{"rendered":"http:\/\/www.theaudiomagazine.com\/?p=604"},"modified":"2018-10-03T22:38:16","modified_gmt":"2018-10-04T03:38:16","slug":"aes-nyc-2018","status":"publish","type":"post","link":"https:\/\/www.theaudiomagazine.com\/?p=604","title":{"rendered":"AES NYC 2018"},"content":{"rendered":"<h1 class=\"slide-title animated4\">AES NEW YORK 2018<\/h1>\n<p class=\"slide-title animated4\"><strong>145th International Pro Audio Convention<\/strong><\/p>\n<p class=\"slide-title animated4\"><strong>Exhibits: October 17-19 \/ Program: October 17-20<\/strong><\/p>\n<p>We will be there for the show, and look forward to meeting with both exhibitors and readers!<\/p>\n<p>In the meantime, here is a list of exhibitors who will be at the show:<\/p>\n<p>1602 Group<\/p>\n<p>Accusonus Inc<\/p>\n<p>Acoustics First Corporation<\/p>\n<p>Acusticaudio SRL<\/p>\n<p>AEA Ribbon Mics &amp; Preamps and CB Electronics Monitor Controllers<\/p>\n<p>AES<\/p>\n<p>AI CARE LLC<\/p>\n<p>AIMS Alliance<\/p>\n<p>ALC NetworX GmbH<\/p>\n<p>Allen &amp; Heath LTD<\/p>\n<p>Alteros, Inc.<\/p>\n<p>Alto Music<\/p>\n<p>American Music &amp; Sound<\/p>\n<p>Amphion Loudspeakers Ltd.<\/p>\n<p>AMS Neve<\/p>\n<p>Analog Devices, Inc.<\/p>\n<p>Antares Audio Technologies<\/p>\n<p>Antelope Audio<\/p>\n<p>API &#8211; Automated Processes, Inc<\/p>\n<p>Apogee Electronics<\/p>\n<p>ATC Loudspeaker Technology Ltd.<\/p>\n<p>Audified<\/p>\n<p>Audinate, Inc.<\/p>\n<p>Audio Alchemist<\/p>\n<p>Audio Builders Workshop<\/p>\n<p>Audio Engineering Society, Inc.<\/p>\n<p>Audio History Library &amp; Museum<\/p>\n<p>Audio Plus Services<\/p>\n<p>Audio Precision<\/p>\n<p>AUDIO TECHNOLOGY SWITZERLAND &#8211; NAGRA<\/p>\n<p>Audionamix<\/p>\n<p>AudioSourceRE<\/p>\n<p>Audio-Technica U.S., Inc.<\/p>\n<p>audioXpress<\/p>\n<p>Augspurger Monitors<\/p>\n<p>AVID<\/p>\n<p>B&amp;H Photo, Video, Pro Audio<\/p>\n<p>BAE audio<\/p>\n<p>BandLab Technologies<\/p>\n<p>Benchmark Media Systems, Inc.<\/p>\n<p>Best Service GmbH<\/p>\n<p>Bose Professional<\/p>\n<p>Bruel &amp; Kjaer<\/p>\n<p>BURL Audio<\/p>\n<p>Cadac<\/p>\n<p>CEDAR Audio Ltd.<\/p>\n<p>Celemony Software<\/p>\n<p>China Entertainment Technology Association<\/p>\n<p>Classic Audio Products, Inc.<\/p>\n<p>Clear-Com<\/p>\n<p>Cloud Microphones LLC<\/p>\n<p>Coleman Audio<\/p>\n<p>Core Sound LLC<\/p>\n<p>Crane Song<\/p>\n<p>D.W. Fearn\/Hazelrigg Industries<\/p>\n<p>Dale Pro Audio<\/p>\n<p>Dan Dugan Sound Design, Inc.<\/p>\n<p>Dangerous Music<\/p>\n<p>DAWtomation, LLC<\/p>\n<p>dBm Pro Audio<\/p>\n<p>DELL Inc.<\/p>\n<p>DiGiCo<\/p>\n<p>DirectOut GmbH<\/p>\n<p>Dolby Laboratories, Inc.<\/p>\n<p>DPA Microphones<\/p>\n<p>DSPECIALISTS GmbH<\/p>\n<p>Dynaudio Pro<\/p>\n<p>Earthworks, Inc<\/p>\n<p>Electro-Harmonix<\/p>\n<p>Eleven Dimensions Media, LLC<\/p>\n<p>Empirical Labs, Inc<\/p>\n<p>ESI Audiotechnik GmbH<\/p>\n<p>Essential Sound Products, Inc.<\/p>\n<p>ETS-Lindgren Inc.<\/p>\n<p>Eventide Inc.<\/p>\n<p>EZ Acoustics International LLC<\/p>\n<p>FabFilter<\/p>\n<p>Five Towns College<\/p>\n<p>Fix Audio Designs<\/p>\n<p>Flux::<\/p>\n<p>Focusrite<\/p>\n<p>Fraunhofer Institute for Integrated Circuits IIS<\/p>\n<p>FullScale AV, LLC<\/p>\n<p>Genelec Oy<\/p>\n<p>Genelec, Inc.<\/p>\n<p>Gig Gear LLC<\/p>\n<p>GIK Acoustics<\/p>\n<p>GKirk Media<\/p>\n<p>Grace Design<\/p>\n<p>Great River Electronics<\/p>\n<p>Group One Ltd.<\/p>\n<p>HEAR Now Festival<\/p>\n<p>Hear Technologies<\/p>\n<p>Image Line Software BVBA<\/p>\n<p>Independent Audio ,Inc.<\/p>\n<p>iZotope, Inc<\/p>\n<p>Jamracks<\/p>\n<p>JBL Professional by HARMAN<\/p>\n<p>JOCAVI USA Corporation<\/p>\n<p>JoeCo Limited<\/p>\n<p>Josephson Engineering, Inc.<\/p>\n<p>Klang<\/p>\n<p>Klippel GmbH<\/p>\n<p>L-Acoustics<\/p>\n<p>Latch Lake Products Inc.<\/p>\n<p>Lawo<\/p>\n<p>Lectrosonics, Inc<\/p>\n<p>LEWITT AUDIO<\/p>\n<p>Looptrotter Audio Engineering<\/p>\n<p>LOUDSOFT<\/p>\n<p>Luke Audio<\/p>\n<p>Lundahl Transformers<\/p>\n<p>Lynx Studio Technology<\/p>\n<p>Magix<\/p>\n<p>Malekpour Design<\/p>\n<p>Malvicino Design Group<\/p>\n<p>Manley Laboratories, Inc.<\/p>\n<p>Mara Machines<\/p>\n<p>MARSHALL ELECTRONICS, INC.<\/p>\n<p>Menlo Scientific Ltd<\/p>\n<p>Merging Technologies<\/p>\n<p>Meyer Sound<\/p>\n<p>Microtech Gefell GmbH<\/p>\n<p>Mix with the Masters<\/p>\n<p>MOGAMI CABLE<\/p>\n<p>Music Maker Publications<\/p>\n<p>Music Marketing Inc<\/p>\n<p>MUSICMASTERMIND.TV<\/p>\n<p>MUTEC GmbH<\/p>\n<p>MXL Microphones<\/p>\n<p>My Studio Sessions<\/p>\n<p>Nemesis-Audio Ltd<\/p>\n<p>Neumann Sennheiser<\/p>\n<p>Neutrik USA, Inc.<\/p>\n<p>NTi Audio Inc<\/p>\n<p>NTP Digital Audio Denmark<\/p>\n<p>NUGEN Audio<\/p>\n<p>OCA Alliance, Inc.<\/p>\n<p>Omnisonics International<\/p>\n<p>One Stop Systems, Inc.<\/p>\n<p>Optocore GmbH<\/p>\n<p>PACE Anti-Piracy, Inc<\/p>\n<p>PACSYS Limited<\/p>\n<p>PCB Piezotronics<\/p>\n<p>Phoenix Audio<\/p>\n<p>PMC Monitors<\/p>\n<p>Prism Sound Ltd<\/p>\n<p>Prism Sound\/ SADiE<\/p>\n<p>Pro Audio Distribution<\/p>\n<p>Pro Sound Effects<\/p>\n<p>Professional Audio Design<\/p>\n<p>Prosocoustic<\/p>\n<p>Pro-Sound<\/p>\n<p>PSI Audio<\/p>\n<p>Pultec &#8211; Pulse Techniques, LLC<\/p>\n<p>Quested Monitoring Systems<\/p>\n<p>R&amp;D Team Joerg Panzer<\/p>\n<p>Radial Engineering Ltd.<\/p>\n<p>Radio Active Designs<\/p>\n<p>Relab Development<\/p>\n<p>Requisite Audio Engineering<\/p>\n<p>Resolution magazine<\/p>\n<p>Reverb.com<\/p>\n<p>Riedel Communications Inc.<\/p>\n<p>Rob Papen Soundware<\/p>\n<p>Roland Virtual Sonics<\/p>\n<p>Roswell Pro Audio<\/p>\n<p>RTW GmbH &amp; Co KG<\/p>\n<p>Rupert Neve Designs<\/p>\n<p>Sanken\/plus24<\/p>\n<p>Schoeps Microphones<\/p>\n<p>SE Electronics<\/p>\n<p>Serpent Audio<\/p>\n<p>Shure Incorporated<\/p>\n<p>SineMedia (Beijing) Co., Ltd.<\/p>\n<p>Softube<\/p>\n<p>Solid State Logic Inc<\/p>\n<p>Sommer cable America<\/p>\n<p>Sonarworks<\/p>\n<p>sonible<\/p>\n<p>Sonifex Ltd<\/p>\n<p>Sonnox Ltd.<\/p>\n<p>Sonoris Audio Engineering<\/p>\n<p>Soul Tech Marketing<\/p>\n<p>Sound Devices, LLC<\/p>\n<p>Sound on Sound<\/p>\n<p>Sound Particles Lda<\/p>\n<p>Sound Radix Ltd.<\/p>\n<p>Soundproof Windows, Inc.<\/p>\n<p>Sounds In Sync Pty Ltd<\/p>\n<p>Soundtheory Ltd<\/p>\n<p>Soundtoys, Inc.<\/p>\n<p>Soundways<\/p>\n<p>Soyuz Microphones<\/p>\n<p>Studio Technologies, Inc.<\/p>\n<p>SUSUMU International (USA) Inc.<\/p>\n<p>Synthax Inc \/ RME \/ Ferrofish \/ MyMix<\/p>\n<p>Tac System, Inc.<\/p>\n<p>Tama Drums \/ Hoshino USA<\/p>\n<p>Tape Op Magazine<\/p>\n<p>TASCAM<\/p>\n<p>Taylor and Francis Group<\/p>\n<p>Teknosign<\/p>\n<p>TELEFUNKEN Elektroakustik<\/p>\n<p>Telos Alliance<\/p>\n<p>THAT Corporation<\/p>\n<p>THD Labs<\/p>\n<p>The Blackbird Academy<\/p>\n<p>The Recording Academy Producers &amp; Engineers Wing<\/p>\n<p>The Recording Studio Insurance Program<\/p>\n<p>THERMIONIC CULTURE LTD<\/p>\n<p>TiMax<\/p>\n<p>T-Mobile<\/p>\n<p>TransAudio Group<\/p>\n<p>Triad-Orbit\u00ae Advanced Stand Systems<\/p>\n<p>Trinnov\/ M1 Distribution Inc.<\/p>\n<p>TSL Products<\/p>\n<p>Unity Audio<\/p>\n<p>Universal Audio, Inc.<\/p>\n<p>Useful Arts Audio<\/p>\n<p>UVI DEV<\/p>\n<p>Walters-Storyk Design Group (WSDG)<\/p>\n<p>Warkwyn<\/p>\n<p>Warm Audio LLC<\/p>\n<p>Warwick Audio Technologies Ltd<\/p>\n<p>WAVE Distribution<\/p>\n<p>Waves Inc.<\/p>\n<p>Wellness Consultants LLC<\/p>\n<p>Western Electric<\/p>\n<p>WhisperRoom, Inc.<\/p>\n<p>Whitestone Audio<\/p>\n<p>WISYCOM USA<\/p>\n<p>Women&#8217;s Audio Mission<\/p>\n<p>XTA Electronics<\/p>\n<p>Yamaha Corporation of America<\/p>\n<p>Zaxcom<\/p>\n<p>Zoom North America<\/p>\n<p>Zylia sp. z o.o.<\/p>\n<p>Zynaptiq GmbH<\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"excerpt\">AES NEW YORK 2018 145th International Pro Audio Convention Exhibits: October 17-19 \/ Program: October 17-20 We will be there for the show, and look forward to meeting with both exhibitors and readers! In the meantime, here is a list of exhibitors who will be at the show: 1602 Group Accusonus Inc Acoustics First Corporation Acusticaudio SRL AEA Ribbon Mics&hellip; <a href=\"https:\/\/www.theaudiomagazine.com\/?p=604\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":613,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[20],"tags":[],"class_list":["post-604","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-trade-fairs","xfolkentry"],"jetpack_featured_media_url":"https:\/\/www.theaudiomagazine.com\/wp-content\/uploads\/2018\/10\/connect.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.theaudiomagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/604","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theaudiomagazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theaudiomagazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theaudiomagazine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theaudiomagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=604"}],"version-history":[{"count":5,"href":"https:\/\/www.theaudiomagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/604\/revisions"}],"predecessor-version":[{"id":609,"href":"https:\/\/www.theaudiomagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/604\/revisions\/609"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.theaudiomagazine.com\/index.php?rest_route=\/wp\/v2\/media\/613"}],"wp:attachment":[{"href":"https:\/\/www.theaudiomagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=604"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theaudiomagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=604"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theaudiomagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}